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Sage Wisdom

"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



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December 2, 2013 | Jazz Mandolin Appetizers; Don Stiernberg

Four years ago, Mel Bay came to us with the request to write a sequel to Getting into Jazz Mandolin. The editors wanted something a little more encyclopedic--more practical and less cerebral. We thought we were up to the task, but co-opted Don Stiernberg to co-write the book with us. As we got into it, several months later, it became obvious, this was really Don's book to write. His "in the trench," common sense approach to jazz and improvisation from his workshops, along with his years of experience and tutelage with the great Jethro Burns and other legends in his early years was meant for this book. We consider it a privilege to be a part of the initial effort, but only Don could have crafted and ultimately finished something so practical and useful.

JMAppetizers.jpg

Don writes in the introduction, Over time I have come to realize that the 'appetizer' analogy neatly parallels approaches to improvisation I have presented in workshops and columns throughout the years, along with the way I go about making up solos on stage, at the jam, or in the studio. Many players in pursuit of the good notes have requested concrete examples ('things I can PLAY!') to balance along with theoretical explanations. That's what we have here. I hope you enjoy these melodies, and that they lead you to full servings of satisfying improvised melodic solos of your own crafting.

An appetizer is both a starting point and a small piece of something, something to try that may be new or unusual. The original premise of this book was to present new melodies to chord progressions commonly used by swing and jazz improvisors, in effect answering the question "What should I play over this progression?" with 'Here, try this...' rather than a litany of scales or modes or other data. Your chef has also expanded the list of appetizers to include samples of how chords can be voiced for rhythm playing behind your fellow soloists, how chord progressions can be 'dressed up' with additional chords or substitutions, and a number of arrangements where melody and harmony are stated simultaneously (chord melody).'

We can't recommend this book enough. We already bought one from Mel Bay, and you should, too. Available in book/CD or ebook.

Purchase from Mel Bay

Table of Contents:
Jazz Mandolin Appetizers
Guidelines, Suggestions and "Wise Sayings" About Improvisation
Improvisation
Get to Know Your Tones and Intervals
Color Tones
Tensions and Alterations
What About #4, #11, b13?
Wise Sayings
Tunes
Lima Bean Gumbo
Freddie
Minor (and Major) Swing
Savannah Stomp
Porterhouse
Bibim Bop
Nectarine
Illiana
Big Chief Wauconda
Rhythm Changes Changed
Rhythm Changes
Rhythm Changes Changed #2
Rhythm Changes Changed #3
Rhythm Changes Changed #4
Rhythm Changes Changed #5
Rhythm Changes Changed #6
Chord Melody
Chord Melody #1
Chord Melody #2 "Ballad"
Chord Melody #3 "After a Rain"
Chord Melody #4 "Swing"
"Jazzberry Blossom"

Posted by Ted at December 2, 2013 5:33 AM


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