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"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."

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November 24, 2013 | Deciphering the "Sus" chord

We see this question frequently in some form or another in various message boards and it drives us crazy these aren't more clear, "What is a 'Sus' chord and how do I finger it?" They aren't just in jazz, they appear in pop, classical, and of course predominantly in Contemporary Christian, even unknowingly in bluegrass music.

There is a general confusion about the nomenclature, the difference between a Sus, a Sus7, and an add9. These are all unique and in individual contexts, interpreted slightly differently. We wrote about the nuances in an seven years ago in a MandolinSesions article, and if this remains unresolved in your vocabulary, the article may put you at rest.

Philosophically, not necessarily aurally.


We hope this answers a lot of questions for you

For a really good look under the hood, read article:
Jazz Mandology: Keeping in Suspense. A look at "Sus" chords and variations.

PDFs from the eight years of Jazz Mandology archive.

Posted by Ted at November 24, 2013 6:00 PM

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