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Sage Wisdom

"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



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March 23, 2012 | Clacky, Clacky and how to make a mandolin not sound like a guitar.

Probably more the majority than anything, the mandolinist who comes from guitar origins. On the surface it makes sense, frets, pick, wood and steel--why not just play the mandolin like a guitar?

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There's some great discussion over at the Mandolin Cafe Forum, and some of the best advice you can take home with you we've heard in a long time. Why you can't strum accompaniments the same. Why you need to develop your single note melody voice. Why cross picking is a vital tool in a mandolin identity. It ain't all just about the tremolo!

Read the posts and join in on the discussion. We'd like to hear your thoughts!

Link: Mandolinist, or guitarist playing mandolin?
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Also from the JazzMando archives:
A common mistake. Clacky, clacky...
The mandolin. A place in the world.

Posted by Ted at March 23, 2012 5:27 AM


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