Clark JM Jazz Mandolin
Search
Tips & Tricks Mel Bay Mandolin Sessions
Spotlight

JM_Ad_GiJM.jpg

JM_Ad_JLSmith.jpg

JM_Ad_Clark2.jpg

Manndolins.jpg

JM_Ad_Sorensen.jpg

JM_Ad_Giroaurd.jpg

JM_Ad_MandolinCafe.jpg

Sage Wisdom

"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



« Review: Principles of FFcP | Main | 3-note Chord Dominants; Part 1 (Inversions) »

February 10, 2011 | Three's company. 3-note chord

Outside of legendary jazz guitarist Les Paul, there's nothing that demonstrates the "Less is more" better than 3-note chords on the mandolin fretboard. Especially those coming from a guitar background, or even a folk music one, we study the instrument with the notion that we can only get rich, full sound by stroke chords that use all eight strings (four notes), and that becomes a trap. When we think we need four voices in a chord, that actually limits the variations. If you make a formation using the three lowest strings, you can move it up every available fret. You can then double your money by moving that whole block up a string to the three highest ones.

3_note.jpgThere's also a sound "Three is enough" harmonic principle in the concept of ensemble playing in mandolin Chord Economics. In a nutshell, of the 7th chord, the bass is being played by a lower voiced instrument, the 5th (unless it's altered) is harmonically insignifcant, and even after voicing the critical 3rd and 7th, you still have an extra voice their to add a color tone 9th, 11th, or 13th, or even another voicing of the root.

If you've considered tackling a 5-string instrument (or 10-course), we urge even more urgency to develop your own system of 3-note voicings. Yes that seems even more counterintuitive, all the extra possibilities with an extra string, but think of what an artist would do with a tray full of colored pencils. Would he/she feel the need to use EVERY pencil? Hardly, the notion would be to explore the paper with just a few carefully chosen colors to express the drawings aesthetic impact. The compulsion to use every pencil would be paralyzing! Think of your fretboard in the same way. Even if you're making a move to a mandola or octave mandolin, the relationships you develop over the fretboard will transpose nicely. You're in essence learning to manipulate 3-note blocks up and down 5ths, anyway.

3-note chords can really be your friend.

We offered an invaluable chart of 3-note chord possibilities a couple years ago with our official JazzMando Chord Staff Researcher, Charlie Jones, and the link bears repeating here. Take advantage of it!

pdf_sm.gif Conjugating 3 Note Chord

We also offered a similar concept in our "Grip" series by chord enthusiast and guest contributor, Mark Wilson. For a more complex system of interval relationships, we'd suggest reviewing that, as well.

Article link: GRIP #1

Further:
Limiting your voicing. Three's company
Itching for a 5-string?
New for 5-string and 10-string
Fifths, Symmetry and You: Perceptual Economy
Chord Economics

Posted by Ted at February 10, 2011 1:53 PM


Bookmark and Share


QuickNav:   Home | Book | Webtracks | Tips | Store | Contact
Feeds: Tips & Tricks | What's New
© 2005-2018 JazzMando.com. All rights reserved.


Disclaimer: In the 'Information Age' of the 21st Century, any fool with a computer, a modem, and an idea can become a self-professed 'expert." This site does not come equipped with 'discernment.'



Site designed and hosted by No Hassle Design, Development, & Hosting

Tips & Tricks - Listen & LearnMel Bay Mandolin Sessions Articles- check it out!