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Sage Wisdom

"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



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October 7, 2008 | Randy weighs in

With the release of "Getting Into Jazz Mandolin" a week behind us, many of our readers have already weighed in with impressions. We thought it would be fun to share with you a charming bit of feedback from newfound JazzMando fan, Randy:

Mr. Ted,

The book arrived safely. Thank you for being so prompt. My first impression was one of abject despair. Perusing the pages and seeing such things as "Phrygian Km7b5dim resolving to a QAug7susRbdimL" led me to my bottle of single malt. After a couple of sips settled in, I returned to the book and actually began at the beginning. By starting on page one, reading slowly with concentration, things got better almost immediately. For the first few years of playing I did scales for twenty minutes every morning and included my little finger in the workout. So the initial FFcP exercises were not that difficult physically. More importantly, I began to understand the value of using my little finger to move through moveable patterns that did not always begin with the index finger. I suppose the disparate parts were already there, now I had an image, a conceptual framework, within which to work. Admittedly, it was a very tiny epiphany, but a delightful one nevertheless.

I have decided to make the exercises part of my daily practice routine. I'm headed for the pickin' chair to practice (without the scotch this time). After reviewing pages 5-7 I will launch into page 8. Progress will doubtless be slow, but I am determined. Thanks for the inspiration.

With regards,
Randy

Well Randy, and many others of you who maybe going through a little "First Day of Class" shock, the project was definitely conceived a long term mission. For those of you who have already invested weeks or months into the FFcP exercises, the coursework will move much quickly. Once the motor part is down, and your fingers are conditioned, you'll be surprised at how intuitive most of the concepts are. We tried to approach it that way, "Here, play this." Later, "Listen to what you just played." Ultimately, "Here is what we label what you just played so you can repeat it in another key, another song, even in another style of music outside of jazz."

We hope at worst, the book is good calisthenics, at best, a bridge between intuitive motor skills and upper level music theory. Of course the latter will take time, but enjoy the playing along the way!

Get your copy today!

Learn more about "Getting Into Jazz Mandolin."
Sample some of the extended soundfiles on our "Webtracks Page."


Posted by Ted at October 7, 2008 7:44 PM


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