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Sage Wisdom

"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



« Zdravitsa plays the Beatles | Main | Happy Birthday Jethro! »

March 9, 2010 | Now, the notes just seem to come from out of nowhere.

Once in a while, we like to look back and reflect on the impact of the body of work here. We're ten days away from celebrating our 7th anniversary, and we can't help but ponder the core mission of JazzMando and what it has meant to our readership over the years, particularly the exclusive FFcP materials and of course the culmination, our "Getting Into Jazz Mandolin" book. (In case you didn't already know it, we do sell it for a pretty good discount here on the site.)

From you:

"I play Celtic & Old time, for the most part, the melody. I've discovered that, after doing these exercises on a semi-regular basis, I can pick up my mando, and play the tune up the neck, starting in different positions, with hardly ANY thought or problem! Amazing!
Barb

I've been practicing the FFcP daily. Aside from the exercises to my fingers, by keeping everything fretted as long as I can, I've improved on my tone. But I think that the big lift it has given me is that I'm realizing that wherever I put a finger down on the fingerboard, I can easily play a scale. So it's getting me more comfortable with the fingerboard, which is a huge achievement.
John

"So far I have noticed similar benefits--greater fluidity, better tone, confidence that I can start a run on any finger. That alone has been well worth the price. My plan is to take the time it takes, do the work, and not have specific expectations. I think it can't help but to improve my playing, but I am curious to find out what my fingers and brain are going to be able to do with it as I progress thru the book.

Good luck to us all. Maybe our secret sign can be a pinkie finger wave. "
Laura

"This whole FFcP makes any key easier and it really let's a guy play wherever he wants."
Kirk

"Been working on these a lot lately! Tonight I was improvising while my buddy was playing the guitar and I was really focused on running the 3rds and 4ths. WOW! Lots of fun there. I was feeling soo...ah...Jethro! The 3rds almost always work on any given progression in that key, the 4ths were a little more picky but it wasn't long and my ear began to hear where they could fit. I was really struck how much I kept thinking of Jethro's sound when doing it. He must have used it in various ways pretty often. I will be listening for it with a more critical ear that's for sure! FUN, FUN, FUN!! "
Ken

"I can see this is something I am going to have to do. Oh lord, here we go again. Countless hours buried in the basement music room!"
Rob

"To me the revelation of studying FFcP is the way it's connecting technical exercises with musical understanding and ear training. I've become aware of what scale degrees I'm playing, not only in the exercises, but in my playing generally, and it makes it a lot easier to pick tunes by ear, or creating variations over tunes I know."
Erik

"I love FFcP. Probably no single practice technique has contributed to my dexterity and strength as a player. Thank you Ted!! God bless you and your family!"
Robert

Join the FFcP 'Fretboard Yoga' Facebook Group

Get your copy today!

Posted by Ted at March 9, 2010 5:33 AM


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