That was the only lesson I ever took on mandolin. Andy got me thinking VERY seriously about my right hand. I was clenching my fingers in, which was limiting my movement. He showed me and got me thinking of ways to get gravity working for me, to make the act of playing much easier than the struggle I was going through.

My left hand was the "flying fingers" syndrome- rather than keeping the fingers down as I ascend the string, I would lift each finger under the new note on the string. As the link below details, this makes about 80% more work for yourself .

I have detailed a bunch of right and left hand technique ideas collected from my experiences both with Andy and from casual "picking the brains" of other great players here.

After the lesson, I went to a hardware store and bought a long vertical mirror. I put it in my practice room so I could watch my hands. I took me three months, practicing untold hours, to get the new techniques to become automatic. During this period, I was playing bluegrass 2 to 4 nights a week in bars- where, of course, in an effort to keep up with the fast tempos, the new techniques would fall to shreds and I'd be back hacking away.

After the 3rd month, I began to be able to deal with the new way of playing on the gig as well (lots of metronome practice!). From here, I went on to winning regional mando contests and eventually Winfield.

The point of my post is to say that if you are willing to work hard at the right stuff, you can really change your musical life. The first point is that you need to feel unsatisfied with your playing (I still do and hope I always will- that's how you keep growing!).

The second step is to find a great teacher who is a great player. The combination is rare.

The third thing is to enjoy the ride. You'll probably be looking at long hours of dedicated practice- but you will get results in a relatively short time (I could do three months in prison if it made me a better player!)