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Tips & Tricks Mel Bay Mandolin Sessions
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07.05.08

We thank guest writer Mark Wilson of Onboard Research for this week's "Tips and Tricks" entry, excellent further fretboard theory vivisection entitled "A Tetrachordal Approach
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07.03.08

Gypsy's Music has introduced a new ergonomic cutaway model mandolin worthy of attention. Known for their entire line of efficient design mandolins, mandolas, and octaves,
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07.01.08

More Summer NAMM highlights at the Yamaha booth: the AUDIOGRAM3 which delivers a compact audio interface, complete with both a mono and stereo input channel.
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Sage Wisdom

"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



« Circle of Fifths | Main | Axis of the 3rd & 7ths »

April 21, 2006 | More Blues

Are you stuck in Three-chord Blues? There's certainly a great legacy of music in the I7, IV7, V7 approach to playing 12 bar blues, but if you're craving something a little more complex harmonically, how about some advanced vocabulary, and a little more complex alternative?

We have some graduate level coursework in our site section Blues 501.

Swing Blues (ala Jethro Burns), Bebop Blues, some Charlie Parker "Bird Blues," we even experiment with some minor blues. When you get these patterns down, check out the "Turnarounds" section toward the end to take the static last two bars of the pattern and give it some new life.

Turnarounds are something you can apply to other sections of music in your improvisation, so it's a good concept to be familiar with. We explore this in our last two MandolinSessions articles for Mel Bay, fodder for feeding new life into simpler folk music.

Reharm Part I

Reharm Part II

Read Blues 501

Posted by Ted at April 21, 2006 02:29 AM


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