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09.01.10

New Stonewood mandolin case from Protec Music
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Video treats from one of the planet's most amazing jazz mandolinists, Austin Texas stalwart, Paul Glasse. The first is a rare opportunity to witness a
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08.28.10

"The notes seem to come from out of nowhere."
We've been shipping these literally all over the world, and the feedback remains good. It's great to hear from the readers many months into studying,
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« Metronome Techniques Part 1 | Main | Focus »

September 3, 2005 | Metronome Techniques Part 2

Subdivision

Many new metronomes come with a terrific subdivision feature. Beats can be divided audibly (sometimes visually) into eighth, triplet, or sixteenth notes.

The best players have a highly honed sense of timing that goes beyond keeping steady time. It's that innate sense of division at the smallest level. They don't think 1 , 2 , 3 , 4; they think (same tempo):

1 - ee - an - da, 2 - ee - an - da, 3 - ee - an - da, 4 - ee - an - da.

This is why their playing always lines up so well and the beat is never lost. Dare we say it isn't always natural; often it is trained...

We like the Boss TU-80 Chromatic Tuner/Metronome (hey, it's a tuner, too!). Dial in the sixteenths and go.

Develop your "Inner Drummer!"

Posted by Ted at September 3, 2005 10:55 AM


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