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03.13.10

Ludewig Dola
Terrific eye candy from our friend, Illinois builder Dale Ludewig, who confides, "A mandola, just dyed and sealed Tuesday afternoon. Going to a man who
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03.11.10

Happy Birthday Jethro!
Everytime March 10th rolls around, we are compelled to pay homage to the great mandolin legend and personal hero, and especially this year for what
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03.09.10

Now, the notes just seem to come from out of nowhere.
Once in a while, we like to look back and reflect on the impact of the body of work here. We're ten days away from
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"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



« Metronome Techniques Part 1 | Main | Focus »

September 3, 2005 | Metronome Techniques Part 2

Subdivision

Many new metronomes come with a terrific subdivision feature. Beats can be divided audibly (sometimes visually) into eighth, triplet, or sixteenth notes.

The best players have a highly honed sense of timing that goes beyond keeping steady time. It's that innate sense of division at the smallest level. They don't think 1 , 2 , 3 , 4; they think (same tempo):

1 - ee - an - da, 2 - ee - an - da, 3 - ee - an - da, 4 - ee - an - da.

This is why their playing always lines up so well and the beat is never lost. Dare we say it isn't always natural; often it is trained...

We like the Boss TU-80 Chromatic Tuner/Metronome (hey, it's a tuner, too!). Dial in the sixteenths and go.

Develop your "Inner Drummer!"

Posted by Ted at September 3, 2005 10:55 AM


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