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<title>What&apos;s New</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/" />
<modified>2009-02-05T19:28:11Z</modified>
<tagline></tagline>
<id>tag:jazzmando.com,2009:/new/3</id>
<generator url="http://www.movabletype.org/" version="3.15">Movable Type</generator>
<copyright>Copyright (c) 2009, Ted</copyright>
<entry>
<title>Playing Musically: a four-part &quot;Tips &amp; Tricks&quot; series</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000977.shtml" />
<modified>2009-02-05T19:28:11Z</modified>
<issued>2009-02-05T19:24:24Z</issued>
<id>tag:jazzmando.com,2009:/new/3.977</id>
<created>2009-02-05T19:24:24Z</created>
<summary type="text/plain">Hopefully you are aware of the &quot;Tips and Tricks&quot; resources here on the JazzMando website. We produce a weekly posting of bite-size concepts to help you with your playing, and currently, we&apos;ve entered nearly 200 different articles. You can locate...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>Hopefully you are aware of the "<strong>Tips and Tricks</strong>" resources here on the <strong>JazzMando</strong> website. We produce a weekly posting of bite-size concepts to help you with your playing, and currently, we've entered nearly 200 different articles. You can locate concepts through the search function in the upper right hand corner on of the header (try typing "Playing Musically" for example) or browse through the archive page in the <span class="orange">Tips</span> Section.</p>

<p>Speaking of "<strong>Playing Musically</strong>," we just finished a four part series on that very topic. Might be a good place to start your long journey through this resource.</p>

<p>Explore: <a href=" http://jazzmando.com/tips/" target=blank>Tips archives</p>

<p><img src="http://jazzmando.com/images/tips.gif" alt="Tips &amp; Tricks" height="66" width="255"><br />
</a><br />
</p>]]>

</content>
</entry>
<entry>
<title>Eva Scow releases CD under new label</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000975.shtml" />
<modified>2009-02-03T12:04:30Z</modified>
<issued>2009-02-03T11:57:28Z</issued>
<id>tag:jazzmando.com,2009:/new/3.975</id>
<created>2009-02-03T11:57:28Z</created>
<summary type="text/plain">Word up that California mandolin virtuoso Eva Scow and guitarist Dusty Brough have just re-released their exemplary 2007 recording &quot;Sharon by the Sea&quot; under the Adventure Music label. New cover, new distribution machinery, but the same music that completely wowed...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>Word up that California mandolin virtuoso <strong>Eva Scow</strong> and guitarist <strong>Dusty Brough</strong> have just re-released their exemplary 2007 recording "<strong>Sharon by the Sea</strong>" under the <strong>Adventure Music</strong> label. New cover, new distribution machinery, but the same music that completely wowed us a little over a year ago. If you missed it the first time, make sure you get this one in your library. </p>

<p>Eva's playing is spectacular and musically wise beyond her years. We wrote one of our wordiest reviews ever, the superlatives were a challenge to condense.</p>

<p><img alt="Sharon by the Sea is now available under the Adventure Music label" src="http://jazzmando.com/new/archives/images/SharonbtS.jpg" width="240" height="240" /></p>

<p>Read review: <a href="http://jazzmando.com/spotlight_sharon_by_the_sea.shtml" target=blank>Sharon by the Sea</a><br />
Purchase  <a href="http://www.amazon.com/Sharon-Sea-Scow-Dusty-Brough/dp/B001NESPDG/" target=blank>Information</a><br />
Artist website: <a href=" http://evascow.com/" target=blank>Eva Scow</a><br />
</p>]]>

</content>
</entry>
<entry>
<title>Cohen C#</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000974.shtml" />
<modified>2009-02-02T03:53:27Z</modified>
<issued>2009-02-01T18:50:45Z</issued>
<id>tag:jazzmando.com,2009:/new/3.974</id>
<created>2009-02-01T18:50:45Z</created>
<summary type="text/plain">We&apos;ve been given a sneak peak of Kirk Morrison&apos;s new C# mandolin coming off the workbench of noted luthier/researcher Dr. Dave Cohen. The Richmond, Virginia builder is legendary for his passionate combination of chemistry, physics, and woodworking (as well as...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>We've been given a sneak peak of <strong>Kirk Morrison's </strong>new <strong>C# mandolin</strong> coming off the workbench of noted luthier/researcher <strong>Dr. Dave Cohen</strong>. The Richmond, Virginia builder is legendary for his passionate combination of chemistry, physics, and woodworking <em>(as well as designing some award winning mandolins)</em>, and has published such in-depth subjects as the geometry of curtate cycloid arching in the latest issue of <strong>American Lutherie</strong>.  (#96, Winter, 2008) </p>

<p><em>"Mandolins, guitars, and the physics of both have been such a large part of my life since 1999 that it is hard for me to give a concise statement of what I do, what I think, and what guides my lutherie,"</em> confesses Dr. Cohen. His interest in mandolins and guitars dates back to his years in school in Florida State University, but building would not be his full-time career until retiring from teaching college chemistry in 2003.</p>

<p>You might recall the good doctor's work was profiled in the December 2001 issue of <strong>Mandolin Quarterly</strong>; "<strong>A Scientific Approach to Mandolin Construction</strong>." He also submitted an abstract  in 2003 (Acoustical Science and Technology, 24, 1, pp 1-6) with Thomas Rossing using electronic TV holography studying the vibrational modes of four mandolins and a mandola. <em>"The lowest (0,0) modes  may appear as a triplet (as in a guitar) or as a doublet. The modal  frequencies correlate well with the frequency response curves. Sound spectra indicate that sound radiation is quite uniform over the 0-5 kHz  range with some roll-off above 2.5 kHz."</em></p>

<p>We're looking forward to bringing you more of the information and art of Dave Cohen with an official review of one of his instruments in the not-too-distant future.</p>

<p><em>Stay tuned...</em></p>

<p>Builder's website: <a href="http://cohenmando.com/index.html" target=blank>Cohen Musical Instruments </a></p>

<p><a href="http://jazzmando.com/new/archives/images/Kirkoblique12220801.JPG"><img alt="Kirk C# oblique" src="http://jazzmando.com/new/archives/images/Kirkoblique12220801-thumb.JPG" width="400" height="213" /></a></p>

<p><a href="http://jazzmando.com/new/archives/images/Kirkback122208.JPG"><img alt="Kirk C# back" src="http://jazzmando.com/new/archives/images/Kirkback122208-thumb.JPG" width="400" height="245" /></a></p>

<p><strong>Read up on </strong><a href="http://jazzmando.com/spotlight_builders_for_the_21st_century.shtml">other world class mandolin builders</a>: <br />
<a href="http://jazzmando.com/spotlight_builders_for_the_21st_century.shtml"><img alt="Click for JazzMando Reviews" src="http://jazzmando.com/images/Builders.gif" width="150" height="100" /></a></p>]]>

</content>
</entry>
<entry>
<title>Facebook and FFcP: Fretboard Yoga for the mandolin</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000973.shtml" />
<modified>2009-01-30T16:26:10Z</modified>
<issued>2009-01-30T11:20:11Z</issued>
<id>tag:jazzmando.com,2009:/new/3.973</id>
<created>2009-01-30T11:20:11Z</created>
<summary type="text/plain">As mentioned, we&apos;ve witnessed reports of an incredible amount of gracious internet chatter about the FFcP System, and we decided to join the 21st century and start a designated Facebook group, &quot;Fretboard Yoga.&quot; If you have a Facebook account be...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>As mentioned, we've witnessed reports of an incredible amount of gracious internet chatter about the <a href="http://jazzmando.com/ffcp_studies.shtml" target=blank>FFcP System</a>, and we decided to join the 21st century and start a designated <strong>Facebook </strong>group, "<span class="orange">Fretboard Yoga</span>." If you have a Facebook account be sure to sign up; we're hoping to get participants to post their personal experiences about the benefits of this creative approach to exploring the fretboard.</p>

<p><img alt="Join our official Facebook Group!" src="http://jazzmando.com/new/archives/images/FretboardYoga.jpg" width="400" height="179" /></p>

<p>One common theme we've observed, the physical intensity of the exercises are something you need to start off slowly. With a modicum of discipline and commitment to 8-15 minutes a day, long range results are overwhelmingly impressive. Furthermore, we have yet to hear from anyone who spends more than six weeks on it complain about <strong>FFcP</strong> being a waste of time.</p>

<p><strong>Facebook</strong>, despite some of the recent sensationalized press is a great and safe environment for cyber-gathering. There are enough controls to achieve your preferred level of privacy. The only down side we've experienced is the incredible time suck of bumping in to old high school and college friends along the Information Highway. <em>You can easily lose track of time getting caught up with old (and newfound!) social circles.</em></p>

<p>Check out the FFcP "<strong>Fretboard Yoga</strong>" group:  <a href="http://www.facebook.com/group.php?gid=48378448657" target=blank>FFcP Facebook Support Group</a></p>

<p> <br />
Further:<br />
<a href="http://jazzmando.com/tips/archives/000959.shtml" target-blank>January Fitness</a><br />
<a href="http://jazzmando.com/super_ffcp.shtml" target=blank>Super FFcP: A Thorough Warmup Routine</a><br />
</p>]]>

</content>
</entry>
<entry>
<title>Light bulbs: &apos;Getting Into Jazz Mandolin&apos; feedback</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000971.shtml" />
<modified>2009-01-28T12:24:05Z</modified>
<issued>2009-01-28T12:10:17Z</issued>
<id>tag:jazzmando.com,2009:/new/3.971</id>
<created>2009-01-28T12:10:17Z</created>
<summary type="text/plain">We truly enjoy reading the comments we get in regards to the recent Mel Bay release &quot;Getting Into Jazz Mandolin.&quot; Though we blush at discussion board threads entitled &quot;Ted Eschliman changed my life,&quot; we take it with a modest sense...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>We truly enjoy reading the comments we get in regards to the recent Mel Bay release "<a href="http://jazzmando.com/gijm_20835bcd.shtml" target=blank>Getting Into Jazz Mandolin</a>." Though we blush at discussion board threads entitled "<a href="http://www.mandolincafe.com/forum/showthread.php?t=44649" target=blank>Ted Eschliman changed my life</a>," we take it with a modest sense of humor and deeply appreciate the rabid interest. Always feel free to weigh publicly and privately with on your own progress and process...</p>

<p>Recently we received these comments of note from William in Canada: <em>"Lightbulb moment..."I'm "Beginning to see the Light"  thanks Ted ...Many years of playing trumpet taught me that except in rare "alternate fingering positions" the notes were always the same fingering for notes in the octave ...always ...so the concept of common alternate fingering for the same note comes as somewhat of a revelation ...also the immense possibilities of this tiny instrument are just beginning to dawn on me ...chords! what a thrill! ...Range ...remarkable! OK back to work ...I'm sure I'll be at you again as I continue to explore here in the dark.... your FFcP system seems so simple on the surface ...I'm only now starting to grasp the grander possibilities... my fingers are learning faster than my mind...and my eyes ...I can run the pattern faster than I can read the music ...which feels really strange...also I have staggering holes in my theoretical knowledge ....lots to think about ...thanks so much  for your time and tutelage, </em>Wm.</p>

<p><img alt="'Getting into Jazz Mandolin' is in stock in the JazzMando Merchandise Center" src="http://jazzmando.com/new/archives/images/GiJM_sm.jpg" width="225" height="255" /></p>

<p>The book contains many physically approaches that won't happen for you immediately. The physical benefits from the <span class="orange">FFcP</span> itself (which you can download free <a href="http://jazzmando.com/ffcp_studies.shtml" target=blank>here</a>) really takes anywhere from 4-8 weeks of diligence, and you really don't want to rush that or you'll risk injury from repetitive motion. After this kind of Yoga-like acclimation things will start to happen. </p>

<p>When it does, we want to <a href="http://jazzmando.com/contact_jazzmando.shtml" target=blank>hear</a> about it! </p>]]>

</content>
</entry>
<entry>
<title>Django in June 2009; 6/9-14</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000970.shtml" />
<modified>2009-01-26T11:57:27Z</modified>
<issued>2009-01-26T11:47:55Z</issued>
<id>tag:jazzmando.com,2009:/new/3.970</id>
<created>2009-01-26T11:47:55Z</created>
<summary type="text/plain">Djangophiles, Django in June Camp Administrator Andrew Lawrence weighs in to let you know that the Django in June website has been updated for 2009 and they are ready for early-bird registrations for the 6-day Django Camp, June 9-14 in...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>Djangophiles, <strong>Django in June</strong> Camp Administrator <strong>Andrew Lawrence</strong> weighs in to let you know that the Django in June website has been updated for 2009 and they are ready for early-bird registrations for the 6-day Django Camp, <strong>June 9-14</strong> in <strong>Northampton</strong>, <strong>Massachusetts</strong>. </p>

<p><em>"The first full-fledged music camp in the US dedicated entirely to the Gypsy jazz tradition, <strong>Django Camp </strong>offers an unparalleled opportunity for musicians who would really like to dig in to this fascinating, exuberant style. Whether you want to build a strong Gypsy jazz foundation or add another floor above the one you've got, Django Camp offers guidance, inspiration and camaraderie at a depth you won't find anywhere else this side of Samois.  </p>

<p>Our teachers and performers this year will include a formidable Dutch contingent as well as distinguished artists from both coasts of North America. As you'll see from the roster below, we are ready for players of guitar, violin, accordion, mandolin and bass"</em></p>

<p>Clinicians include our own <strong>Jamie Masefield </strong>for the mandolin classes:<br />
*<strong>Reinier Voet</strong>, Jan Brouwer of Pigalle44, guitar (Holland)<br />
*<strong>Gonzalo Bergara</strong>, guitar (Argentina via California)<br />
*<strong>Kruno Spisic</strong>, guitar (Philadelphia, Croatia)<br />
*<strong>Denis Chang</strong> and <strong>Romain Vuillemin</strong> of the Denis Chang Quartet, guitar (Montreal & France, respectively)<br />
*<strong>Michael Horowitz </strong>of Djangobooks (Washington State)<br />
*<strong>Jamie Masefield</strong> of the <strong>Jazz Mandolin Project</strong>, mandolin (Vermont)<br />
*<strong>Gert Wantenaar</strong> of Pigalle44, accordion (Holland)<br />
*<strong>Tim Kliphuis</strong>, violin (Holland)<br />
*<strong>Simon Planting</strong>, bass (Holland, via California)</p>

<p>More details one the djangoinjune.com website. The highlights:<br />
*The dates for this year are <strong>June 9-14</strong>. (Tuesday evening through Sunday noon.)  <br />
*The event is held on the beautiful Smith College campus in Northampton, Massachusetts. <br />
*Early bird tuition rates are in effect; tuition goes up $50 a month starting <strong>March 1st</strong>. <br />
*Dorm rooms are private, so when your blistered fingers are done for the day, you rest in peace and comfort. <br />
*Meals are also offered on-site, and the food is good.   <br />
*Most of the instructional program is organized into 3 broad level of ability, novice to advanced.</p>

<p>Website: <a href="http://djangoinjune.com">DjangoinJune.com</a><br />
</p>]]>

</content>
</entry>
<entry>
<title>Jamie Masefield, &quot;Chick&apos;n Apple Scrapple&quot; Sound Lab</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000969.shtml" />
<modified>2009-01-24T21:36:38Z</modified>
<issued>2009-01-24T12:15:14Z</issued>
<id>tag:jazzmando.com,2009:/new/3.969</id>
<created>2009-01-24T12:15:14Z</created>
<summary type="text/plain">Our latest Sound Lab entry is an encore performance from JazzMando perennial fave, Vermonter Jamie Masefield from the pioneer jam band &quot;The Jazz Mandolin Project.&quot; Jamie graced us last month with a terrific chord melody rendition of the book&apos;s ballad,...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>Our latest <strong>Sound Lab</strong> entry is an encore performance from JazzMando perennial fave, Vermonter <strong>Jamie Masefield</strong> from the pioneer jam band "<strong>The Jazz Mandolin Project</strong>." Jamie graced us last month with a terrific chord melody rendition of the book's ballad, <a href="http://www.jazzmando.com/sound/JM_YesI.m4a" target=blank>Yes, I'll Always Be There </a>. For those that might not be familiar with <span class="orange">Webtracks</span>, this is our audio page dedicated to supporting "<a href="http://jazzmando.com/gijm_20835bcd.shtml">Getting Into Jazz Mandolin </a>" with extended accompaniments for many of the book's exercises. In addition, the <a href="http://Jazzmando.com/webtracks.shtml#1" target=blank>PROFESSIONALS SOUND LAB</a> features Jamie and many other premier artists' interpretations of the its five concept songs, demonstrating <strong>Modal Improvisation</strong>, <strong>Tonal Center Shifts</strong>, and in this case, advanced <strong>Blues Progressions</strong>.</p>

<p>Listen to audio: Jamie Masefield <a href="http://www.jazzmando.com/sound/JM_Chick'n.m4a" target=blank><img src="http://jazzmando.com/images/sound.gif" width="11" height="11" border="0"> Chick'n Apple Scrapple </a></p>

<p>Jamie demonstrates excellent use of the "<strong>Turnaround</strong>" vocabularies covered in the book; nothing like hearing them in action to help the concept soak in. Also listen to his brilliant use of motif development; Masefield is a master at the art of melodic consistency and development. We need to mention the very apt comping skills of playing partner <a href="http://www.dondicisco.org/music.php#dougperkins" target=blank>Doug Perkins</a> on guitar as well--nice of him to drive over and record this with him!</p>

<p><em>(Extra credit for those of you who catch Jamie's 4-note homage to Charlie Parker with his "Au Privave" lick at the beginning of the 2nd chorus...)</em></p>

<p><a href="http://www.jazzmandolinproject.com/jamiedougduo/jamiedougduo.html"><img alt="Doug Perkins, Jamie Masefield" src="http://jazzmando.com/new/archives/images/Jamie_DougPub-thumb.jpg" width="400" height="300" /></a></p>

<p>Jamie's first entry: <a href="http://jazzmando.com/new/archives/000947.shtml" target=blank>Yes, I'll Always Be There </a><br />
More artist <a href="http://Jazzmando.com/webtracks.shtml#1" target=blank>interpretations</a>.</p>

<p>Artist's websites: <br />
<a href="http://www.jazzmandolinproject.com/" target=blank>JMP</a>  <br />
<a href="http://www.myspace.com/mamavig" target=blank>MaMaVig</a></p>

<p><br />
</p>]]>

</content>
</entry>
<entry>
<title>Christopher Guest &quot;taps&quot; into acoustic</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000967.shtml" />
<modified>2009-01-22T18:09:07Z</modified>
<issued>2009-01-22T13:02:50Z</issued>
<id>tag:jazzmando.com,2009:/new/3.967</id>
<created>2009-01-22T13:02:50Z</created>
<summary type="text/plain">We mentioned the well-known comedian, actor/wirter/director in November 2007 article, Acoustic project on tap for Tap. Pop-culture icon Chrisopher Guest (alter ego Nigel Tufnel from the 80&apos;s rockumentary, Spinal Tap) had been presented with an honorary Doctoral Degree from the...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>We mentioned the well-known comedian, actor/wirter/director in November 2007 article, <a href="http://jazzmando.com/new/archives/000678.shtml" target=blank>Acoustic project on tap for Tap</a>. Pop-culture icon <strong>Chrisopher Guest</strong> (alter ego <strong>Nigel Tufnel</strong> from the 80's rockumentary, <strong>Spinal Tap</strong>) had been presented with an honorary Doctoral Degree from the prestigious <strong>Berklee School of Music</strong>, mentioning an acoustic project in the oven, with him slinging mandolin (Collings & Moteleone), mandola (Gibson '24) and K mandocello (Gibson '16").  We're pleased to see the CD's recent release, "<strong>Memories of Summer as a Child</strong>" by the band's name, "<strong>The Beyman Brothers</strong>." Exquisite sound samples are online at there website and <a href="http://www.myspace.com/thebeymanbrothers" target=blank>MySpace page</a>, and preliminary audio previews are most impressive.</p>

<p>The music is vibrant yet meditative (the <strong>Dharma Moon</strong> label produces Yoga videos, after all), not quite "New Age-ish" with some Folk/Bluegrass textures and progressive harmonic vocabularies, woven midst Pop music sensibilities. We dig it, and hope to hear more from the collaboration.</p>

<p><a href="http://web.me.com/georgebours/BeymanBros/MOT-Final_with_Intro.html" target=blank><img alt="Christopher Guest, CJ Vanston, David Nichtern" src="http://jazzmando.com/new/archives/images/BeymanBros-thumb.jpg" width="400" height="300" /></a><br />
<span class="orange">The Beyman Brothers</span></p>

<p>Artist website: <a href="http://thebeymanbros.com/" target=blank> The Beyman Brothers</a><br />
View video of the band in recording session: <a href="http://web.me.com/georgebours/BeymanBros/MOT-Final_with_Intro.html" target=blank>Moons of Tunis</a><br />
Label: <a href="http://dharmamoon.com/" target=blank>Dharma Moon</a></p>

<hr>
<em>[Nigel Tufnel is showing Marty DiBergi one of his favorite guitars] </em>
<br><strong>Nigel Tufnel</strong>: The sustain, listen to it. 
<br><strong>Marty DiBergi</strong>: I don't hear anything. 
<br><strong>Nigel Tufnel</strong>: Well you would though, if it were playing. 
<br>]]>

</content>
</entry>
<entry>
<title>Sage wisdom from Michael Lampert</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000966.shtml" />
<modified>2009-01-20T12:18:41Z</modified>
<issued>2009-01-20T12:01:09Z</issued>
<id>tag:jazzmando.com,2009:/new/3.966</id>
<created>2009-01-20T12:01:09Z</created>
<summary type="text/plain">The NAMM show is always an intense time for JazzMando Site Administrator, Ted Eschliman and crew. In addition to catching all the latest and greatest in mandolin developments, he&apos;s capturing thoughts on pen and paper for his trade column at...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>The NAMM show is always an intense time for JazzMando Site Administrator, <strong>Ted Eschliman</strong> and crew. In addition to catching all the latest and greatest in mandolin developments, he's capturing thoughts on pen and paper for his trade column at <a href="http://musicincmag.com/resources.html" target=blank>Music Inc Magazine</a>, getting direction for new projects at publisher Mel Bay, all in addition to major inventory and market decisions for his <a href="http://dietzemusic.com/" target=blank>multi-store chain</a> in the Midwest.</p>

<p>Fortunately, there were a few moments for an outdoor sanity and soda break with LA area musician and mentor, <strong>Michael Lampert</strong>.  Soaking in the retreating southern California sun (it was 6 degrees back home), the conversation meandered from personal reconnaissance and observations of breakthrough gear on the trade show floor (MP3 mandolins and new industry import players), potential Mandolin Acquisition Syndrome transaction restraint <em>("keep the Kimble, Ted. Put the additional impulse money into an Education Roth for your daughter's college in 8 years")</em>, and of course our personal favorite topic, mandolin tone.</p>

<p>Reflecting on a previous <a href="http://jazzmando.com/tips/archives/000144.shtml" target=blank>archive column</a>, <em>"As music "technicians," we often get wrapped up in the mechanics of playing. Faster, louder, more complex, we strive to get more out of the "motor skills" dimension in practice and performing--so much so that we forget music is about beauty. Things like line, expression, tone, get lost like the proverbial forest through the trees developing facility.</p>

<p>Fellow jazzer and electric mandolin pioneer Michael Lampert put it best in a casual conversation, "...I mean if it isn't pretty, why bother?" The context was the subject of players who can reel off a tremendous amount of notes, but either lack melodic direction, or just plain have lousy tone.</em></p>

<p><img alt="Michael Lampert.jpg" src="http://jazzmando.com/new/archives/images/MichaelLampert.jpg" width="219" height="326" /></p>

<p>We love revisiting these thoughts every time we correspond with the jazz tonemeister himself. <em>Especially when we can do it in person in the January California sun.</em></p>

<p>Artist Website: <a href="http://sojournerrecords.com/" target=blank>Michael Lampert</a></p>]]>

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</entry>
<entry>
<title>Regis Bonilha</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000965.shtml" />
<modified>2009-01-18T06:52:40Z</modified>
<issued>2009-01-18T14:32:25Z</issued>
<id>tag:jazzmando.com,2009:/new/3.965</id>
<created>2009-01-18T14:32:25Z</created>
<summary type="text/plain">Regis Bonilha is a Brazilian luthier whose decade-long span of work in contruction and restoration of instruments of strings is headquartered in the city of Jacarei. He crafts fine classic and steel guitars, Macaferri Selmer models, brazilian mandolins and other...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p><strong>Regis Bonilha</strong> is a Brazilian luthier whose decade-long span of work in contruction and restoration of instruments of strings is headquartered in the city of Jacarei. He crafts fine classic and steel guitars, Macaferri Selmer models, brazilian mandolins and other instruments including 6- and 7-string viol&otilde;es, and 8-and 10-string mandolins. According to mandolin expert <strong>Marilyn Mair's</strong> website, <em>"viol&otilde;es are a type of Brazilian guitar, are usually included, a 6-string that plays a rhythmic accompaniment based on written chord symbols, and a 7-string that improvises a bass-line."</em> (Visit for more information on these in the context of choro execution and traditions: <a href=" http://www.marilynnmair.com/what_is_choro.shtml " target=blank>Marilyn Mair, "What is Choro?"</a>)<br />
 <br />
Bonilha's website is <strong>www.regisbonilha.com</strong>; unfortunately it's in Portuguese and its software can't be translated by Bablefish into English, but he has a supporting blog site that can. The pictures and music are worth the visit to both.</p>

<p>Luthier's website: <a href="http://www.regisbonilha.com" target=blank> www.regisbonilha.com</a><br />
Blog insights: <a href="http://babelfish.yahoo.com/translate_url?doit=done&tt=url&intl=1&fr=bf-res&trurl=http%3A%2F%2Fwww.regisbonilha.blogspot.com&lp=pt_en&btnTrUrl=Translate" target=blank> regisbonilha.blogspot</a></p>

<p><a href="http://jazzmando.com/new/archives/images/Bonhila.jpg"><img alt="Regis Bonilha" src="http://jazzmando.com/new/archives/images/Bonhila-thumb.jpg" width="400" height="300" /></a><br />
</p>]]>

</content>
</entry>
<entry>
<title>Winter NAMM 2009 pictorial</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000964.shtml" />
<modified>2009-01-16T14:42:54Z</modified>
<issued>2009-01-16T14:37:07Z</issued>
<id>tag:jazzmando.com,2009:/new/3.964</id>
<created>2009-01-16T14:37:07Z</created>
<summary type="text/plain">Doing our best to endure the mild Southern California weather, while the rest of the staff is huddled shivering in the subzero chill back home. The NAMM show is off in a fury, and we took a few moments to...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>Doing our best to endure the mild Southern California weather, while the rest of the staff is huddled shivering in the subzero chill back home. The NAMM show is off in a fury, and we took a few moments to snap some pictures. You can read all about it at the Mandolin Cafe website...</p>

<p>View thread: <a href="http://www.mandolincafe.com/forum/showthread.php?p=617330#post617330" target=blank>Winter NAMM 2009</a><br />
 <br />
<a href="http://jazzmando.com/new/archives/images/IMG_0733.jpg"><img alt="The Mel Bay booth at NAMM" src="http://jazzmando.com/new/archives/images/IMG_0733-thumb.jpg" width="400" height="300" /></a></p>]]>

</content>
</entry>
<entry>
<title>Luthier&apos;s Consortium: Michael Lewis</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000962.shtml" />
<modified>2009-01-14T17:15:53Z</modified>
<issued>2009-01-14T13:32:00Z</issued>
<id>tag:jazzmando.com,2009:/new/3.962</id>
<created>2009-01-14T13:32:00Z</created>
<summary type="text/plain">We&apos;re setting up our NAMM observation base, getting ready to report the latest mandolin toys and gadgets, leaving behind the 20 degree below Midwestern wind chills for the blustery but much more tolerable 70 degree Santa Ana breezes. In addition...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>We're setting up our <strong>NAMM</strong> observation base, getting ready to report the latest mandolin toys and gadgets, leaving behind the 20 degree below Midwestern wind chills for the blustery but much more tolerable 70 degree Santa Ana breezes. In addition to the festivities and exhibits on the show floor itself, we always like attending the annual offsite celebration of premier wood and strings at the <strong>Luthier's Consortium</strong> gathering. Fretted string innovator <strong>Michael Lewis</strong> is always one of our favorite builders at the scene and this year, he's featuring in addition to his critically acclaimed guitars, three world class mandolins.</p>

<p>Nothing like a hands-on access to a premium instrument, good music and some cool Belgian brews to top off an evening. It's a tough job for a reporter, but somebody's got to do it... </p>

<p><img alt="Lewis D'jango Headstock" src="http://jazzmando.com/new/archives/images/LewHead.jpg" width="301" height="482" /></p>

<p>Site location at the convention: "<strong>The Islander</strong>" on Katella just East of Harbor Blvd. in Anaheim California, just after the exhibits close down. Also booth 1516 in the Hall E exhibits at the show. </p>

<p>Read archive review: <a href="http://jazzmando.com/michael_lewis.shtml">Lewis D'Jango</a></p>]]>

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</entry>
<entry>
<title>Guitarra Baiana and the roots of electric mandolin</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000961.shtml" />
<modified>2009-01-12T11:12:01Z</modified>
<issued>2009-01-12T11:11:36Z</issued>
<id>tag:jazzmando.com,2009:/new/3.961</id>
<created>2009-01-12T11:11:36Z</created>
<summary type="text/plain">From our new friend, Julio Moreno, &quot;we thought you may be interested in our site GuitarraBaiana.com, dedicated to the guitarra baiana (Bahian Guitar), a type of electrc mandolin from Brazil. As you may know, the protoype of the instrument from...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

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<![CDATA[<p>From our new friend, <strong>Julio Moreno</strong>, <em>"we thought you may be interested in our site <a href="http://www.guitarra-baiana.com" target=blank> GuitarraBaiana.com</a>, dedicated to the guitarra baiana (Bahian Guitar), a type of electrc mandolin from Brazil. As you may know, the protoype of the instrument from the early 40s is often considered as the first solid body electric mandolin of all times. The website informs about the history of the tradition, as well as current trends and events."</em> </p>

<p><img alt="Guitarra Baiana" src="http://jazzmando.com/new/archives/images/GuitarraBaiana.jpg" width="135" height="220" /></p>

<p>The site is a fascinating resource with insights of a parallel world of electric mandolin. While we up north were witnessing the development of Texas Swingmasters, <strong>Tiny Moore</strong> and <strong>Johnny Gimble</strong>, a whole other universe of electric mandolin had already hatched in the Southern Hemisphere. Excellent history worth reading, and some great <strong>YouTube</strong> samples for your enjoyment.</p>

<p>Enjoy: <a href="http://www.guitarra-baiana.com" target=blank> GuitarraBaiana.com</a><br />
</p>]]>

</content>
</entry>
<entry>
<title>JazzMando Merchandise Center to shut down for Company Inventory</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000960.shtml" />
<modified>2009-01-10T11:45:18Z</modified>
<issued>2009-01-10T11:44:59Z</issued>
<id>tag:jazzmando.com,2009:/new/3.960</id>
<created>2009-01-10T11:44:59Z</created>
<summary type="text/plain">Our varsity crew of staff writers and reporters are heading out to Anaheim, California to cover the 2009 Winter NAMM show next week (1/15-17). This means leaving just the kids left to handle shipping product in the JazzMando Merchandise Center,...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>Our varsity crew of staff writers and reporters are heading out to Anaheim, California to cover the <strong>2009 Winter NAMM</strong> show next week (1/15-17). This means leaving just the kids left to handle shipping product in the <a href="http://jazzmando.com/buy_strings_and_stuff.shtml">JazzMando Merchandise Center</a>, so we figure we might as well shut it down for our annual physical inventory.  While the cat's away, the mice will play, and it's hard enough to get these rascals to count picks while the boss is in the room, let alone unsupervised. They'll probably be on the computers checking out their <strong>MySpace</strong> pages (can't put a block on that since we have our own) or messing with the owner's new Wii Bowling. Anything but actually working. <em>(That's why the site owner usually does all the shipping himself.)</em></p>

<p>We won't be able to ship from Tuesday through Sunday, so Monday morning 1/12/09 will be the latest we can process an order. We'll be back in business again Monday, 1/19 to get your supply of <a href="http://jazzmando.com/jazzmando_picks.shtml">JM picks</a>, <a href="http://jazzmando.com/jazzmando_jm11_flatwound_strings.shtml">strings</a>, and <a href="http://jazzmando.com/gijm_20835bcd.shtml">books</a>, but until then, we'll be covering the latest and greatest mando toys at the NAMM exhibits. Hope to also catch up with the usual suspects there, <strong>Michael Lampert</strong>, <strong>Jeff Looker</strong>, <strong>Michael Lewis</strong>, and meet some new friends for the first time as well.</p>

<p>Stay tuned...</p>]]>

</content>
</entry>
<entry>
<title>Back for a limited time: the JazzMando pick holder!</title>
<link rel="alternate" type="text/html" href="http://jazzmando.com/new/archives/000958.shtml" />
<modified>2009-01-08T13:04:29Z</modified>
<issued>2009-01-08T12:51:43Z</issued>
<id>tag:jazzmando.com,2009:/new/3.958</id>
<created>2009-01-08T12:51:43Z</created>
<summary type="text/plain">It has returned, but only on a limted basis, the JazzMando key fob/pick holder. Black premium Canadian leather adorned with gold-trimmed button and ring, this &quot;hardware&quot; is the answer to a Maiden&apos;s Prayer for when you&apos;re there introducing yourself to...</summary>
<author>
<name>Ted</name>
<url>http://jazzmando.com</url>
<email>ted@jazzmando.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://jazzmando.com/new/">
<![CDATA[<p>It has returned, but only on a limted basis, the<span class="orange"> JazzMando key fob/pick holder</span>. Black premium Canadian leather adorned with gold-trimmed button and ring, this "hardware" is the answer to a Maiden's Prayer for when you're there introducing yourself to another mandolin, and your stash of picks is nowhere to be found.</p>

<p>It's right there, with your car keys! Oh, <strong>YEEAHHH</strong>!</p>

<p><a href="http://jazzmando.com/images/346JM_Lg.jpg"><img alt="Click for close-up" src="http://jazzmando.com/images/346JM_Lg-thumb.jpg" width="203" height="175" /></a></p>

<p>Keep two or three picks, maybe a bus token or quarters for the laundry in your pocket at all time attached to your keys with this handy little accessory. Sold only with a package of <strong>5 JazzMando signature ProPlec picks</strong>, but for $10.00 you get the picks, pouch, AND domestic shipping. </p>

<p>You wouldn't leave home without your keys; now you don't have to leave without your pick either!</p>

<p>Order information: <a href="http://jazzmando.com/jazzmando_picks.shtml#1" target=blank>JazzMando 346Pick'nGo</a></p>

<p><em>Operators are standing up...</em><br />
</p>]]>

</content>
</entry>

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