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09.01.10

New Stonewood mandolin case from Protec Music
We're always interested in reporting new and cost-effective ways to protect and mobilize mandolins, especially when a case is versatile to fit many different body
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08.30.10

New Paul Glasse Videos
Video treats from one of the planet's most amazing jazz mandolinists, Austin Texas stalwart, Paul Glasse. The first is a rare opportunity to witness a
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08.28.10

"The notes seem to come from out of nowhere."
We've been shipping these literally all over the world, and the feedback remains good. It's great to hear from the readers many months into studying,
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"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



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July 1, 2009 | Fingers/Ear/Brain

We love feedback. Especially when someone totally out of the blue "gets it."

We recently read a comment from a fan weighing in on our concept of "Fingers/Ears/Brain," outlined in the "Getting Into Jazz Mandolin" book, as well as on this website: "I purchased this book to help me learn to play by ear. I am an admitted tab addict. I have always wondered how people learn to play by ear. Especially in a jam session. The 'Introduction and Philosphy' section of this book caught my attention and the light bulb went off. This book may be geared to Jazz but I believe it can help me learn to play by ear. The path seems simple enough 1) develop your fingers to find the correct notes, 2)develop your ear to hear the notes your fingers play, 3)develop your brain to comprehend the musical style and theory.

I hope that this book helps me develop my ear so that I am comfortable playing at a jam session without tabs. I believe this book is a great method to develop my technique and ear at the same time so I can accomplish my goal. Learning a little jazz will be fun too."

Get your copy today!

Yahtzee! Though the original intent of the book was to introduce the Folk/Bluegrass market to some of the jazz vocabulary, we feel strongly there is more application here than just jazz. The ability to explore chromatic realms will make all of these studies valuable for equipping the mandolinist for classical, pop, and Choro music.

Ah, discovery. Enjoy!

More about this concept: Fingers/Ears/Brain

Posted by Ted at July 1, 2009 5:32 AM


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