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11.20.08

We just added one more amazingly creative entry to our PROFESSSIONAL'S SOUND LAB. The latest is a Choro Nouveau dazzler from master jazz theoretician and
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11.19.08

We thought the cover art of the "Getting Into Jazz Mandolin" book was cool enough to actually wear, and decided to offer something a little
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11.17.08

It's a rough job, but somebody has to do it. We've had the assignment of auditioning the new Eastman/Giacomel DG1 Mandolin, a project closely captained
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Sage Wisdom

"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



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March 10, 2007 | Noble Instrument

An occasional article about mandolin virtuoso, Carlo Aonzo reminds us that "tradition" can be such a relative term. On this continent, we often forget the centuries old tradition of the Italian School of mandolin. The Savona, Italy native has done much for this country in popularizing and making us aware of the rich and powerful influence of this style of playing which eclipses our own American Bluegrass, though from what we understand, Carlo is pretty adept at it, as well.

"The mandolin is my life," confesses Aonzo. We are fortunate to have him spread this tradition through workshops and performances this side of the Atlantic.

Read article 'Noble instrument' soothes mind and body.

Posted by Ted at March 10, 2007 05:59 AM


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