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11.20.08

We just added one more amazingly creative entry to our PROFESSSIONAL'S SOUND LAB. The latest is a Choro Nouveau dazzler from master jazz theoretician and
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11.19.08

We thought the cover art of the "Getting Into Jazz Mandolin" book was cool enough to actually wear, and decided to offer something a little
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11.17.08

It's a rough job, but somebody has to do it. We've had the assignment of auditioning the new Eastman/Giacomel DG1 Mandolin, a project closely captained
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"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



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April 18, 2006 | Rigel at Berklee

Rigel Instruments, Ltd. donates an A+ Deluxe mandolin to the Berklee School of Music jazz program. The recent addition of mandolin as a principal instrument in prestigious institution was a welcome addition to the world of jazz pedagogy. Now a perfect combination, the ultimate work-horse "player's" mando in the hands of those who have established the benchmark in jazz education for the last several decades.

From Professor John McGann, "The instrument is great; I played it this weekend, and I really dig the radiused fingerboard, big frets, and big sound. Many thanks to Peter Mix and all at Rigel for making this happen."

A cerebral ax for a new breed of cerebral player...

Read Mandolin at Berklee

Read Studying Strings at Berklee

Posted by Ted at April 18, 2006 05:38 AM


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