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11.20.08

We just added one more amazingly creative entry to our PROFESSSIONAL'S SOUND LAB. The latest is a Choro Nouveau dazzler from master jazz theoretician and
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11.19.08

We thought the cover art of the "Getting Into Jazz Mandolin" book was cool enough to actually wear, and decided to offer something a little
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11.17.08

It's a rough job, but somebody has to do it. We've had the assignment of auditioning the new Eastman/Giacomel DG1 Mandolin, a project closely captained
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"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



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February 03, 2006 | Reharm

Mel Bay's Feb. MandolinSessions.com articles are out, and if you've not been there before, you're in for a treat! Our entry this month is the first of a two-part series on reharmonization, maybe a few theory "tricks" useful to you in your improvisation or song-writing.

Read Article: Reharmonization Secrets

Of course, you want to check out the submissions of some of the leading mandolin authorities, and while you're at it, check out all the back issues. We've accumulated our own collection here: Mel Bay's Jazz Mandology.

Where else are you going to get this month's information from the world's leading mandolin print resource for free?

Posted by Ted at February 3, 2006 06:10 AM


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