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11.20.08

We just added one more amazingly creative entry to our PROFESSSIONAL'S SOUND LAB. The latest is a Choro Nouveau dazzler from master jazz theoretician and
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11.19.08

We thought the cover art of the "Getting Into Jazz Mandolin" book was cool enough to actually wear, and decided to offer something a little
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11.17.08

It's a rough job, but somebody has to do it. We've had the assignment of auditioning the new Eastman/Giacomel DG1 Mandolin, a project closely captained
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"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



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October 19, 2005 | Rigel, How?

Having returned from a recent road trip to Cambridge, Vermont, JazzMando staff journalists debunk common myths about the manufacturing process of Rigel mandolins:
*These are carved out of one solid piece of wood. (No, the sides are, though.)
*The finish on these is very thick. (No, 4 mls.! VERY thin.)
*They are ceramic. (No, some of the finest tonewoods in the world.)
*These are stamped out in highly automated, industrial fashion. (No, tremendous amounts of hand labor!)
*They only finish in butt-ugly colors. (No, just the ones that go through the JazzMando Merchandise Center. Tobacco-burst and Cremona are hands-down best sellers...)

Read our exclusive report: How to Make a Rigel Mandolin.

Posted by Ted at October 19, 2005 08:46 AM


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